RESONANCE | June 9th - July 21st

RESONANCE

 June 9th -  July 21st, 2017

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Opening Reception
Friday, June 9th, 2017
7:00 - 10:00 PM
free and open to the public
exhibit runs through July 21st, 2017

RESONANCE June 9th - July 21st |  Kai Lin Art announces its fourth exhibition of 2017 featuring new bodies of work of four artists: Todd Anderson, Greg Noblin, Erik Waterkotte and Andrew Catanese. RESONANCE draws together landscapes, tableaux, photo montage, and experimental printmaking.

Master printmaker Todd Anderson’s practice involves long-term, team-based projects that investigate ecological changes to wilderness caused by global warming. He works in the ancient tradition of woodblock printing using as many as 15 colors in a single print. Anderson is committed to preserving the romantic beauty of the natural world but at the same time drawing attention to the dire and uncertain futures of these landscapes. Anderson returns to the gallery with a new series of works featuring the stunning vistas and unmatched beauty of Rocky Mountain National Park.

Long time artist of the gallery, Greg Noblin returns with a fresh series of his signature Panelist works. Noblin works to incorporate layers of meaning, symbolism and texture in his artworks through a multistep process of photo-collage and panel printing. The final works are a combination of surrealism, photography and landscape supported by organic and inorganic structures. Sometimes humorous or fantastic, these allegorical illustrations serve as a bridge between the childhood imagination and adult “reality”.

Erik Waterkotte creates work that centers on concepts of belief, ritual, and space while mixing various experimental printmaking techniques and layering graphics based on his family history, Catholic upbringing, and fascination with early-American occult. Waterkotte places the viewer into an introspective plane where they can reconcile the real and the unreal in their own faiths. This will be Waterkotte’s first exhibition with Kai Lin Art; he has previously been a part of the group exhibitions FRESH and The New South.

Kai Lin Art welcomes new artist Andrew Catanese with a new series of unique and striking paintings. His figurative, narrative artworks are characterized by a neo-gothic style and horror vacui aesthetic. The work stems from the complex relationship that develops between “outsiders” in the South and the conservatism they disrupt. The dense, tapestry-like images are populated with figures in disguise, caught in moments of violence and intimacy, and surrounded by the thick, heavy native foliage of the South. The paintings depict the South in the echoes of figures and stories at its fringes.

Atlanta Journal Constitution: Much notable work in contemporary Southeastern artists’ exhibit

LIVING By Felicia Feaster: FOR THE AJC (source)

 “The New South II” at Kai Lin Art offers plenty of reassurance that the Southeast has a diversity of talent in an endless variety of forms. This juried group show of works on paper (with some notable exceptions) by 39 artists is the second (and stronger) of Kai Lin’s two large survey shows dedicated to Southeastern artists, with work this go-around chosen by jurors Veronica Kessenich, executive director of Atlanta Contemporary, and Michael White, director of the Welch School of Art and Design at Georgia State University.

Though work in “The New South II” veers from abstraction to portraiture and from photography to sculpture and tackles subjects as diverse as celebrity culture and Southern food, you could say that — generally speaking — “The New South II” gravitates toward two poles: on one hand, cheeky; and on the other, political and socially engaged.

Axelle Kieffer
Mopsos
Hand cut collage on photo
12" x 15"

For the nutty side, exhibit A, the oddball collages of Axelle Kieffer, whose staid woman and boy in formal Victorian dress sport outrageous steampunk-meets-extraterrestrial masks. Compelling in their quiet surrealism, Joshua Chambers’ delicate drawings are surrounded by a satisfying sea of empty space and show people in improbably magic realist situations: a man with a bird’s wing for an arm or a woman on a bed with a man in scuba gear watching the water rise, licking at her feet from her queen-size raft.

AleaHurst
St.Lawrence
Pen, Ink
21" x 17"

Also just shy of wacky are Alea Hurst’s portraits of modern-day saints wearing gold halos as they flip burgers at an outdoor barbecue or show off their tattooed torsos, and Charlie Watt’s Catherine Opie-esque image of a nude lady beekeeper sporting the tools of her trade. Meanwhile R. Andrew Munoz’s deceptively childlike cut paper collages contain undercurrents of violence: spilled bottles of wine and hockey-masked killers lurking outside suggest things are not as Colorforms as they seem. Amusing commentary on the overvaluing of our role as consumers and the sanctity of buying, Raoul Pacheco offers up clever gilt sales receipts.

 

STEPHENPHILMS
SHOULDERS OF HOPE
PHOTOGRAPHY
16" x 20"


There’s a subtle but palatable strain of black identity in “The New South II” that gives the show some heft and heart, from the straightforward but sweet photograph of a black father supporting his son on his shoulders in Stephen Philms’ “Shoulders of Hope” to Alex Christopher Williams’ image “Atlanta, GA” of a black barbershop decorated with affirmations of black masculinity in photographs of Muhammad Ali and LeBron James.

There are Joe Dreher’s images “Madison” and “Red” of a black man and child, hands over heart, waving a tiny flag, draped in a stars and stripes bandanna, as if to assert the resilience of belief and loyalty despite all odds.

JAMAAL BARBER
Untamed
Linocut
2" x 12"

Jamaal Barber’s graphic, iconic linocut, “Untamed/Free,” and Mia Merlin’s watercolor “Southern Woman 3” are bookend works; portraits of empowered, assertive young black women.

There are some interesting formal experiments in “The New South II,” as well, notably Lynx Nguyen’s “Ultimate Heaven,” an oddly transcendent work considering its lowbrow medium: ballpoint pen worked over the paper surface so intensely it soaks into and ripples the paper, creating topographic ridges and gaps, or abrades it, in some places revealing the pulp beneath.

 

Lynx Nguyen
Ultimate Heaven
Ball Point Pen
40" x 40"

 
ART REVIEW
“The New South II”

Through June 2. Noon-6 p.m. Wednesdays-Fridays; noon-5 p.m. Saturdays. Kai Lin Art, 999 Brady Ave. NW, Suite 7, Atlanta. 404-408-4248, www.kailinart.com.

Bottom line: There’s much to recommend this large, diverse survey of Southeastern artists’ works on paper.

for more on the exhibition visit this THE NEW SOUTH II

THE NEW SOUTH II | exhibition opening photos

Below are pictures from the exhibition opening of The New South II! Please contact us at the gallery if you have an interest in any of the works from the exhibition info@kailinart.com or 404 408 4248. Enjoy the photos!

FOR AVAILABILITY & INQUIRIES

404 408 4248 | INFO@KAILINART.COM

THE NEW SOUTH II | MEET + GREET 5-6-17

Dear Friends,

We are excited to invite you to The New South MEET + GREET this Saturday!

TNS II MEET + GREET
Saturday, May 6
5 - 7 PM

Come out and meet many of the artists from the exhibit and enjoy some libations and artful conversations.

To preview the exhibition visit this link

Enjoy the photo gallery below and we will see you this Saturday @kailinart 

Artfully,
Yu-Kai Lin, Director
KAI LIN ART
404 408 4248
info@kailinart.cOM

THE NEW SOUTH II OPENING PHOTOS

THE NEW SOUTH INSTALLATION

FOR AVAILABILITY & INQUIRIES

404 408 4248 | INFO@KAILINART.COM